The Invention of Drawing – Jean-Baptiste Regnault, 1787 A woman traces the shadow of her departing lover on the wall – representation born not from the thing itself, but from its absence, its drift. The first sign is already a derivative, a second-order trace. A perfect emblem of meaning emerging from instability. Most language instruction treats meaning as stable – a word points to a thing, a phrase maps to an intention, a metaphor resolves into a tidy equivalence. Yet real